tailwind is a product born out of complete ignorance for the fundamental technologies that underlay the web and why they exist the way they do. I hope tailwind’s decline encourages people to learn the fundamentals

when capcom were working with inti creates, they were reliably putting out good games at a time when indie developers weren’t - at least in that genre. now they put out one mediocre game every ten years.

I hope souja boy plays it

the problem isn’t electron, the problem is that A) html is the only truly cross platform UI framework and B) that html (and the web stack in general) has way too many features and is way too complex, because Google’s been bolting features onto it for decades.

the books did have a plot, but each one was spilt into short stories/novellas that focused on different characters, separated by timeskips. in fact the first book is made of five short stories which would’ve each made for 45-60 minutes of TV.

foundation might be a worse Asimov adaption than i robot

I swapped to jellyfin and it was worth it but it was a lot of work. I had to pay for a static ip, set up my home network properly, and redo all my metadata. and months later I’m still finding missing or incorrectly tagged media. plus it doesn’t auto update. also I had to tell my friends and family to download a new app and make logins for them.

I’ve been using windows 11 for six months. when I hover over the taskbar, a phantom windows explorer window appears, but it’s not clickable and it disappears when I move the mouse away. my right hand monitor has a white box with a small ‘no’ symbol in it stuck in the middle of the screen. it doesn’t seem to derive from any running application and I cannot get rid of it. on the windows 10 install I ran before, the task manager totally stopped working, it just froze every time I opened it. I run Linux on all my other machines and stuff does go wrong, but it goes wrong in ways that make sense to me and which I can fix. on windows people just tell you to run sfc scannow and reinstall if it doesn’t work. that’s no way to live your life.

and also because he abandoned most of the pledges he made during the leadership competition, has done almost nothing about key political issues (cost of living, crumbling public services) and seems to have spent most of his time as pm attacking disabled people, trans people and refugees.

every programmer I’ve seen who says their code is self documenting writes dogshit code

disaster: day of crisis is spiritually a Dreamcast game. it’s dogshit. it has a special place in my heart

I’m confused at all these comments saying podman is hard to use, I used it a bunch last year and found it a drop in replacement for docker (though I didn’t set it up).

I love the lotr movies but even the extended editions can’t fit in the nuances of all the supporting characters. this gets worse the later you get in the trilogy, the biggest victims probably being the ents, faramir, denethor and pippin.

my own personal pick is probably one flew over the cuckoo’s nest, where they change McMurphy’s crime from battery and gambling to statutory rape. that did not engender sympathy

I will go to bat for the later seasons of Fargo, in particular seasons 3 and 5.

spotify pays me half a cent per stream, the profit margins for them must be fucking insane. and the music sounds like shit. I’d much rather people pirate it than support these leeches

if you want to support artists you like, buy the music, ideally on bandcamp. if you do have to steam it, Deezer at the very least won’t vandalize the audio

About 10 years ago I worked at a company that had broken ground on a solar factory in the UK. The government cancelled subsidies for solar and they pulled out.

disco elysium is mostly driven by character and theme rather than plot. you’re not expected to solve the mystery, the game is more interested in which sidequests you engage with, how you treat the other characters, and how you choose to interpret the story. the choices you make don’t influence the mystery but they do influence the events of the mercenary tribunal, phasmid encounter and the final scene quite a lot. the tribunal is mostly about how well you did at the detective work and your relationship with Kim, whereas the phasmid encounter is about Harry’s inner journey, then the results of both of these scenes filter through to the confrontation with the other cops.

I also think the game does a pretty good job of setting these expectations, because for most of the game you just think the hardy boys did it, instead the game works pretty hard to make you curious about other things and you end up just going through the motions of the actual investigation

the deserter is probably one of the weaker characters, he does feel like a plot device, but he’s there to let the story connect the events of the game and harry’s own personal journey directly and literally to the history and politics of revachol, i think that’s probably why they decided to make him the killer in the first place

my understanding is that Mozilla paid good money for pocket and never made much from it

PewDiePie is the most basic kind of cryptofascist hiding behind a veil of edgy humour and he should not be welcome in the open source community

I know this is a meme but historians like Livy never used to let facts get in the way of a compelling historical narrative. obviously these sources provide a lot of useful information but taking them at their word is the equivalent of historians in the year 4000 trying to recreate 21st century life out of nothing but Joe Rogan podcasts