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Joined 3 years ago
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Cake day: July 23rd, 2023

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  • This is exactly like the whole Lifetouch story. It beggars belief.

    Rackspace is, and has been, ISO 27001 certified. Part of that means they can’t directly access customer data. You didn’t link any documents covering the contract that “requires” Rackspace hosting; my base assumption is they’re normal contracts that define hosting for regulatory purposes. None of the documents you’ve linked show Apollo had access to Rackspace infrastructure much less encrypted customer data on Rackspace doesn’t have keys for. The pedo employee had CSAM which does not provide Apollo access to Rackspace infrastructure much less encrypted customer data Rackspace doesn’t have keys for.

    Just like with Lifetouch, if you can show that somehow the equity owners Apollo had direct access to the infrastructure of their investments and somehow managed to either hide or justify it during multiple security audits spanning a decade and somehow got access to customer encryption keys, it’s a possibility. I’m not even using Occam’s razor here; there’s genuinely nothing to even consider hanging a hat on here.

    On the other hand, if Leon Black had direct access to the company running the database, all bets are off. Law enforcement shit gets to sidestep audit shit in dumb ways. But if that were the case, we wouldn’t need Rackspace as the incredibly tenuous connection because he would have had direct access.


  • Absolutely valid. In the context of identity verification, I trust ID.me more than random companies that do not have government contracts because government contracts come with security and compliance regulations that require regular audit and make the chances of breach less likely. In either case, it’s a private company and, as any security nut would have told you, when it gets sold all bets are off like 23andme. Even more importantly, in the US, any kind of ID verification is a terrible idea, government or private, because we have no data regulation or privacy constraints. I call out the US here because we have no GDPR equivalent (CCPA wouldn’t hold up to federal data). Even if ID verification were conducted by the government, it can still be used for gnarly shit like we saw with ICE and DOGE.

    On a sliding scale of evil, ID.me is the evil I know will currently fight to continue remaining the only evil which is the only solace I have in the US.


  • The theme of this post is “what things online would I be okay giving my government ID to.” The author did not mention government services in the article, so I brought those up and differentiated which government services I think are reasonable for ID verification. In the US, social security is basically a retirement fund and a huge target for scammers. I’m willing to verify there or for my taxes (although those should just be done for me; different argument). A data portal eg census data is not something I am willing to verify my ID for because it should be public. US trademarks, for example, now require ID verification for an account. An account gives expands some access on the website and allows the ability to file. If I file a trademark, I am fine with verifying my identity. If I make an account, I don’t need to verify my identity until I file.

    I didn’t mention picture sharing websites because I agree with the author’s stance.



  • You and I are in agreement; the user I responded to seemed to be implying otherwise.

    Edit: I think it’s a bit strong to say it’s “a literal white supremacist talking point.” Your average boomer is going to mistakenly associate it with Voltaire. I think folks that are some level below terminally online have seen one of the many pieces pointing out its origin. Away from the author, it could stand on its own merits which is why “kids with cancer” is a funny response to it. In the US, at least, I haven’t seen a lot of discussion from the white supremacists who run the government on this quote which further makes me question if it’s a literal talking point. Perhaps you are aware of groups that are actively pushing it? If not, it’s a bit more reasonable to say what the first response in this thread said. Be careful.






  • The premise, right or wrong, is that you can work the entire week and get paid insane rates. Do that for a couple of years and you can retire early. In theory, that sounds awesome and achievable. In practice, I have never actually seen the insane rates materialize so you end up working 24/7 for a pittance and then get fucked. I would be supportive of regulations that allowed that extreme end of work at double or triple pay so that people that want to do this can do it with protections. The dude isn’t saying that, though. If he actually had to pay reasonable rates for people working 24/7 he’d lose his mind.






  • I’m actually a huge fan of the community and have been subbed since the beginning. I skim a lot of the stuff you share. That’s why I jumped on this thread. I think we like a lot of the same things. I really like a ton of the short Vertigo, Dark Horse, and Image stuff. I don’t get into the superhero lines because I don’t find the stories interesting.

    If you can speed read through the first and possibly second story line of 100 Bullets, I think it gets way better and it’s one of my favorites. Like I said, I totally get where you’re coming from on those first issues and see why you might not want to continue.

    East of West is probably the only newer thing I really like. You can see the Moebius influence. The story can kinda drag and there are some interesting choices.

    I really haven’t read many comics in recent years. I’ve been rereading Tintin to share it with some young relatives. Groo, Usagi Yojimbo, and Hellboy are some other favorites.

    I would love recommendations.


  • You’re willing to grant that euro comics is broad but don’t seem to grant that anything else can be broad. I’m not here to sell you on American comics. I was irked you lumped a short line that has more in common with some great BDs than the DC superhero fare you keep trying to call it. If your contention is that Transmetropolitan is a euro because Ennis is Irish, does that mean everything that Ennis has written since 2016 or a few years before is American because he lives there now? But also if you just don’t like American publishers you can’t really say that Sandman is a euro because it’s a seminal Vertigo work and Vertigo is American. Again, the only issue is that you want to say anything Vertigo is bad because it’s DC but then you want to give a lot more flexibility to euros. I mentioned vastly different euros to emphasize you can’t paint things with a broad brush here. Your issue is you don’t like the content of this Crusades, not that it was published by Vertigo.

    100 Bullets starts incredibly weird. The first line doesn’t really mesh with the rest of the world as it’s built. I totally understand why that would put someone off the series.


  • It’s really hard for me to differentiate the heyday Vertigo creator series like Sandman, Transmetropolitan, and 100 Bullets from similar euro comics. War Stories is incredibly close in idea and format to many BDs. At one point in time, Vertigo was a powerhouse that published good things, not repetitive DC/Marvel hero-of-the-week. I spent a fair amount of time composing my answer to compare and contrast with the euro comics I’ve read and other American things. Crusades isn’t Asterix or Thorgal but neither is The Incal and The Incal shares more with Crusades than Tintin does with The Incal. Right now I feel like you’re making sweeping generalizations when you mean very specific things; I don’t think that’s pompous just way too broad.